Posts Tagged ‘Maginn



05
Jul
10

Want to win an iPad?

What is - iPad?

What is  –  iPad?

iPad is a revolutionary new device that allows you to:

•look at pictures

•watch films

•read books

•go on the internet.

(NB: None of these activities has been possible before.)

How to Win:

1. Find a competition that offers an iPad as a prize.

2. Enter the competition. (This is a crucially important step. You increase your chances of winning an iPad by as much as 38% by actually entering a competition.)

3. Win the competition.

It’s that easy!

Next week, how to win a Lear Jet!

26
Jun
10

New novel slammed by nurses

‘A wasted opportunity.’

Whitehawk,  a controversial new novel by Simon Nolan, has been roundly condemned by nurses. In a recent review, Nursing Times (with Midwifery Today) had this to say;

‘The novel has nothing to recommend it to the modern nursing professional. There is nothing substantial here on any aspect of nursing (or midwifery) whatsoever. The reader will turn the pages in vain for material pertinent to the theory and practice of nursing (or midwifery). A wasted opportunity.’

Amita Mukerjee, publisher, said: ‘We have no statement to make at this point. We will be looking into these comments, which we find disappointing coming from such an august journal.’

Reuters.

17
Jun
10

Smoking ‘cool’, say scientists.

After years in which smoking has been labelled ’pathetic’, ‘bad for you’ and even ‘addictive’, scientists at The University of New South Wales have made the surprising discovery that that it is, in fact, ‘cool’. The shock findings, published in Nature later this month, have been warmly welcomed by the smoking community.

It’s cool.

‘We’ve suffered for years from this “uncool” thing,’ said Ida Maraschino, joint chair of TAB, a smokers’ co-operative and drop-in centre in Bournemouth. ‘These findings just confirm what our members have been saying consistently over the last decade or so: we just couldn’t get the evidence to back it up. Now these new findings are out there, we hope that some of those entrenched negative  attitudes will start to turn around.’

Researchers are now also investigating claims that smoking is ‘big’ and ‘clever’.

‘There’s so much we still don’t know,’ said Project Leader Todd Hunger. ‘These are exciting times for smokers.’

04
Jun
10

Live or die by the stats.

It's a worry.

I’ve just figured out how to do Amazon author rankings. This of course is precisely the kind of thing that people like me should never, ever be allowed to do. The last thing people like me need is yet another opportunity for anxious comparisons.

One of my titles, out of print for fifteen years or so, is currently ranked at 298,784, which is a faintly problematical datum to process. Does it mean that this book is currently (let’s round it up for ease of handling) the 300,000th most popular book in the world? Is this good or bad? How many books are there in the world? What interpretative gymnastics would be required to decide whether this is a cause for celebration or for secret anguish? What, in short, does it mean?

I have enough to worry about as it is. Website analytics, for instance. A visit from Warsaw lasting 2:38. Three visits on consecutive days from Hyderabad. A deeply puzzling visit from Moscow lasting over 28 minutes. 28! Either a very thorough reader this, or perhaps the doorbell went and he forgot to log off? Or perhaps he was taken ill and  the computer got left on until the battery died? (Hello, whoever you are, and thank you for your visit. I hope you’re alright. Do please come again when you have more time. I’m worried about you.) I am pathetically grateful for all visits, of course, but how to interpret them? What is the world saying to me?

Obviously, I have more important, more substantial, things to do than check stats every ten minutes. (I must have. Surely.) A life unexamined is a life half lived, perhaps, but what about a life that is ranked and analysed and quantified down to its atomic essentials, daily, hourly? What kind of life is that? I am not a number! Although in some quite real sense, I now am a number, and my number is #298,784.

It’s a worry.

14
May
10

Cave painting? It’s just a fad.

The world through a 3D lens, or maybe two.

So I finally got round to seeing a film in 3D, Clash of the Titans. I saw it on a Thursday afternoon, and the auditorium was packed with possibly as many as 5 people. Nothing wrong with the film, but the 3D ads were far more entertaining, in particular an ad featuring a tennis ball that appeared miraculously hanging in the air, just out of reach. It’s not at all clear to me what 3D is adding to the experience of watching a film, except that you have to have peculiar glasses on that make you look like a late-era Roy Orbison and you are constantly distracting yourself from the action to make mental notes about how the 3D is distracting you from the action.

But then I alway was a late adopter. I found it agonising to throw away my Betamax video, and resisted CD’s for so long that I pretty much went straight from cassette to MP3. I can never see what’s wrong with what we’ve got. Cassette had so many advantages over CD, not the least of which was the lovely rich, compressed,  bassy analogue sound and the sheer rattly plasticky pleasure of the things. Betamax, as has been extensively and very boringly established, was in every way superior to VHS (…drones on about obsolete formats for three and a half hours…)  I only started internetting about 5 years ago: I just couldn’t see the point of it. It’ll never catch on, I would comment sagely. It’s just a fad. I am currently holding out against digital telly, and no doubt by the time I am finally forced to relent there will be something else. But I like what I’ve got, I think, in a plaintive little voice. If I had my way we would still all be living in caves and throwing rocks at each other to communicate. Direct, easy to understand, cheap. Win-win, I’d say.

But they’re going to turn the analogue signal off. They keep going on about it: it’s like some sinister curse. ‘Everything you know and value is about to be swept away,’ they say. ‘Rejoice!’

I saw some pictures of gaslight being used for the first time in domestic houses, early in the 19th Century: everyone looked like they’d just been caught out doing something that would previously have gone unremarked in the warm, flickery glow of candles. The new lights cast ugly shadows over everything and no one looked quite at ease anymore.

You know where you are with a cave and a rock. Mind you, I’m against this new fad for cave painting. It’ll never catch on, trust me. I mean, what’s wrong with the walls as they are?

22
Apr
10

Vampiryirya, Acting Queen of the Damned

Vampiryirya, Acting Queen of the Damned.

1.

She flung her magnificent hair back and stood, her black eyes flashing as the moon rose, blood red, behind her.

‘I, Vampiryirya, Acting Queen of all the Creatures of the Night, I speak!’

The crowd behind her murmured and seethed.

‘She speaks, she speaks. Vampiryirya speaks.’

Many of them stumbled on the name, and the effect was somewhat dampened.

‘For now is the hour of Magicke,’ she called, her cloak billowing in the occult wind that had sprung up out of nowhere. The final ‘ke’ of magicke needed a slight emphasis to differentiate it from just ordinary magic, of which she was, naturally, superbly contemptuous.

‘Magicke,’ murmured the crowd of vampires, whose raven hair and jet cloaks were also billowing in the occult wind, but somehow not quite as convincingly as hers. ‘It is the hour of magicke.’

‘Friends!’ she called, and the word echoed around her. ‘Gather, for we have much to do. Soon, oh soon, I will summon the great Magus, of whom we are all daughters. Sons, also,’ she added hastily.

‘We await,’ they called back in ragged unison.

Her eyes became darker still, darker than night, darker than darkness itself, as dark as the shadows that creep in the netherest regions of the pits of the damned. Darker than that, even.

‘Now, oh now,’ she called. ‘Oh great Magus, whose bosom has suckled us, whose tears have cleansed us, whose, er…’

‘Blood,’ someone prompted quietly.

‘Blood!’ she yelled, sending waves of delirium into the crowd. ‘Whose blood is our food, our life, our passion and our despair!’

The vampires were an unquiet presence behind her, hungry, tumultuous, rapt.

‘I summons you! In the name of Osiris and Isis, Temperegrath and Bewilderwind, Peregor and Kallingernacht, oh hear me!’

‘Hear her! Hear Vampiryirya.’ Again the name proved troublesome for many.

‘From your timeless slumber! From the depths of your agony and delirium, your endless captivity in the caverns of damnation. Come forth!’

The crowd wept and swayed, all eyes on the great door before her, encrusted with ancient wisdom and antic runes. A moment passed. An antic rune fell off.

‘Come oh great one! Your servants await you!’

And another moment.

The moon was gibbous, hectic, and at the fullest. The time was the most propitious, the hour was at hand, the crowd wept and sang and surged, a great hunger driving them to beat themselves with whips and chains, the blood crawling over their pallid flesh like monstrous black worms.

Some more moments passed. No Magus.

‘Ah,’ she said.

‘Right, let’s have a look at this then,’ said Belloc, pushing through the demented hoard of hellish creatures. ‘Scuse me, ta.’ He stood, a man of little over five feet with wispy ginger hair and thick glasses. ‘Right well, you see what your problem is here love?’

‘Speak, oh Belloc!’

‘Yeah. Well it’s your Portal to the Netherest Regions of the Damned, sweetheart,’ he said, scrutinising the great door with a little torch on a keyring. ‘See, it wasn’t put in right.’

‘Not right?’ she called.

‘Dear or dear. What comedian put this in for you? See the render? No, sorry darling but it’s all going to have to come out.’ He scraped at it with a little blade. ‘I mean, call this a Portal? Dear oh Lord. The soonest I could have a look at is Thursday.’

‘Thursday? Is that the propitious day?’ she demanded.

‘Yeah, have to be PM love cos I’m all backed up at the mo. I’ll just take some details.’ He produced a small duplicate book and a pen. ‘Name?’

‘My name,’ she announced magisterially, ‘is Vampiryirya, Acting Queen of…’

‘Yeah could you just spell that out for me my darling? Bit of a mouthful isn’t it? OK. Daytime phone?’

‘Daytime? Phone? I, Vampiryirya, have no phone! I communicate by the winds, by the owls, by the fleet messengers of the underworld…’

‘Yes, I understand all that my love, but I will be needing a daytime phone,’ Belloc said with somewhat strained patience. ‘And I’ll be needing a deposit.’

To Be Continued…

10
Apr
10

Rattus (Feral Companions)

Launch at WHC10, Brighton.

Black Static #16 reviews Rattus as:

‘a painstaking account of somebody’s life and mental health going down the crapper, with each step along the way neatly catalogued and slotting into the larger picture…

it is grounded convincingly in the real, workaday world. Another joy is Maginn’s elegant, street smart prose, the picture perfect description of the characters and events, the writer establishing his credentials in this regard on the very first page…

an undercurrent of menace that grows until the impression is confirmed by an ending that is subtle and suggestive about the fate of David, and all the more powerful for that.’

Gary Fry’s The Invisible Architect of Psychopathy is ‘a polished performance from a writer who is growing in stature with each new outing.’

Feral Companions is available now. Click here.

02
Apr
10

World Horror Convention 2010

But where were the toilets?

Over four days, and with a strict emphasis on drinking, it is not difficult to imagine the number of visits required. And the hotel is labyrinthine. My launch is in ten minutes. But first, I need to find the toilet.

I have a spatial incapacity: most journeys are guessed at, in a kind of optimistic panic. I am unable to imagine one space connecting to another, and so am more or less permanently spatially baffled. And this is a hotel that, as it happens, I have been coming to for twenty years. I danced here with a debutante at a wedding. I have been drunk here a great many times. And I still can’t find the toilets.

There is someone ahead of me: we get chatting, and then someone else is suddenly lurching in front of us. He is standing at the top of a few steps, and he is tremendously drunk. ‘I’m supposed to be on a panel,’ he attempts to say, several times. ‘I’m supposed…’ Then he is falling, pinwheeling – big fellow, hefty – I grab at his tee-shirt and we stabilise him. Wandering, I find an art exhibition, on a floor the existence of which would have never have occurred to me, had I not got lost on the way to…

The art is wonderful. I flirt with a print, £60! But no, sanity prevails, thank God. I am walking faster and faster, I really could do with finding… I find myself back at Reception and start again. There are signs, but they don’t convince, somehow. They are faint, gold-coloured, they look evasive, hand-painted, untrustworthy. I prefer to trust to instinct. I have a recurring dream of a building that becomes monstrous, limitless, partially ruined. The dream journey becomes harrowing, calamitous. Sometimes I am leading a group, who are depending on me to get them out. (Good luck with that one, guys.) And every journey I make in real life, in this incomprehensible hotel, is a faint echo of the dream.

Then there’s the return journey. I wander for miles, hallway after hallway, thinking, was it this far? Surely it wasn’t this far. Then getting back to where I went wrong. Starting again. Relaxed now, but proceeding with a sense of fury, futility, defiance. Bugger it, I know it’s not this way, but I’m going this way anyway. Bugger it. The right passageway is found, the stairs, I curse them for sitting here the whole time, hidden, mocking me. Smug.

But I make it to my launch. Finally.

And after that, all I have to do is work out how to get out of the building…

16
Mar
10

Man and Mania

I was recently diagnosed with a psychiatric condition. I was having a hypomanic episode, and I needed to see a psychiatrist who would prescribe me drugs to control my problem.


Or: I recently had a two month burst of astonishing energy, optimism and activity, resulting in vast amounts of work being done, the re-establishing of a great many social contacts and the having of a generally damn good time.


I first noticed something peculiar when I was shaving: shaving is such a fixed, automatic routine that it is hard to imagine changing it, but I was suddenly shaving, not left to right then moustache, but moustache, then right to left. Not, perhaps, of any great significance to anyone except me, but curious. My partner started saying things like ‘That’s not like you’: first in a jokey, what-are-you-like way, then in a rather different voice. You, he said finally, are not you any more. And I truly wasn’t.


Mine was a mild case: on a mood scale where -5 is continuous suicidal urges and +5 basically turns you into David Icke, I was a +2. I was, I was told, manifesting alarmingly high levels of anxiety. Except that I really wasn’t: I don’t think I’ve ever experienced a time when I was less concerned about anything. I would sleep for three, maybe four hours, then I was up, doing, cleaning, writing, talking to anyone about anything, facebooking, blogging, working out, doing more in twenty four hours than I would normally get done in a fortnight. I was chatty, approachable, communicative, endlessly interested in people: as anyone who knows me will confirm, these are all new and unlikely behaviours for me. Normal me would sleep twelve out of twenty-four, and spend the other twelve struggling to resist crawling back into bed. But now I was Mr. Shiny Happy, and I was on a roll.


My psychiatrist, a strapping lad with a rugby player build and a somewhat fixed half-smile, was concerned that my behaviour, already somewhat disinhibited, might escalate into full blown mania: possible consequences would be exorbitant spending, gambling, drinking, promiscuous sex… just your typical weekend in Las Vegas really. I was finding it very hard to take him seriously: apart from him being distractingly good looking, I was just having so much fun I couldn’t really believe there was anything wrong. Admittedly, I wasn’t myself, but who wants to be yourself when you can suddenly be someone funny, energetic, massively productive and in a situation where you can flirt with a pornstar psychiatrist? I was someone I had long wanted to be, suddenly. What’s not to love?


I didn’t want medication, but I was starting to feel ragged and depleted, giddy. I couldn’t stop and I couldn’t slow down. The elation was occasionally tipping over into irritability and sudden bursts of an uncontrollable, volcanic rage. I was, essentially, wearing myself out. I needed to sleep. I needed to come back down. So I took the mood stabilisers, my mood stabilised, and I was Old Familiar again, sluggish, pessimistic, pissed off, grouchy me. Hallelujah. Another victory for medical science.


I was warned it could return, at any time. And, to be honest, I can’t wait. Next time, I’m just going to ride the wave. Las Vegas or bust.




Click image to read first chapter FREE

Sheep

James and Adèle, with their eight year old Sam, move to Wales for the winter, to do up a dilapidated farmhouse, Ty-Gwyneth. They are still reeling from the death by drowning of their daughter, Ruthie: the time in Wales should be a chance for them to recover, regroup, come together as a family.

But James starts to dig up some rather curious bones, Sam has a screaming fit in which he seems to be speaking to a previous occupant of the house, and Adèle's paintings become odd, disturbing, wrong.
A sheep is found, mutilated. Another. Sheep are found lying on the rocks below the cliff, torn open. The destruction of the beasts has begun...

'The best debut novel I have read since The Wasp Factory. Wonderful original writing glittering with savage imagery, the pages breathe the tough, dark texture of a real world, of real inescapable fears, blurring the boundaries between nightmare and reality...' Peter James

About the Author

I am a novelist living and working in Brighton, UK, in a haunted palace by the sea. I write horror/psychological thrillers as Simon Maginn: Sheep (filmed as The Dark), Virgins and Martyrs, A Sickness of the Soul, Methods of Confinement, Rattus (novella).

By night, I become Simon Nolan, who writes raucous urban comedies: As Good as it Gets, The Vending Machine of Justice, Whitehawk. I play the piano incessantly, and paint in an uncontrolled and, frankly, disgusting way.
‘Nolan is brilliant’ Time Out

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