Posts Tagged ‘novel



31
Oct
10

Vampiryirya and the zombie horde

‘Uuuuurgh.'

She shuddered to behold them. Her inky tresses shuddered as well.

‘Who,’ she intoned as she stared from her lofty pinnacle at the grounds below, ‘are these miserable creatures?’

‘They are undead, ma’am,’ said Tench her valet. ‘They are lost souls who have died but then returned. Their mission is to devour human flesh ma’am, if I understand the matter correctly.’

‘Well, I can’t say I particularly like the look of them,’ she said as the hobbled, lurching, decaying mob surrounded the mighty oaken front door and set up a monotonous but pulverisingly powerful battering. ‘See them off would you Tench?’

‘Ma’am.’

He worked his way down the endless stairs, floor after floor, until he reached the front hall. The pounding on the door was a slow, terrifying, earth-shaking thunder, as the foul creatures flung their rotten corpses against the door. As the ones at the front lost limbs, heads, even torsos, they were replaced by others who, gibbering and feeding on the ever-growing heap of human detritus, crawled over them to take up their positions, pounding and hammering. They gave vent to a wordless sound, part grunt part howl.

‘I say,’ said Tench through the letterbox. ‘I say, hello?’

The leader of the ghastly crowd bent down and surveyed him coolly from the other side of the letter box.

‘Uuuurgh.’

‘Yes, quite. Well I suppose I was just wondering, is there anything I can do for you at all?’

‘Uuuuuuurgh!’

‘Indeed. As you say. You see the thing is, sorry and all that, but my mistress isn’t at home just now. So sorry. Was there a message at all?’

The leader’s eye fell out, rolled through the letter box and landed, wetly, at Tench’s feet.

‘Yes. I see. Well thanks awfully for coming, and I’ll be sure to let my mistress know you came.’

The leader seemed at a loss for a moment. His ravaged, maggot-infested hand crept to his now empty eye socket. Then he turned to the mob behind him. He raised a bloodied stump of an arm.

‘Uuuurgh! Uuuuuuuuuuurgh!’

The mob fell silent for a moment. Then they tore him to pieces and started to feed. Tench wound his weary way back upstairs as the pounding started up again.

‘They seem to still be there, Tench,’ Vampiryirya said as he returned.

‘Ma’am. I did tell them you were not at home, but…’

Vampiryirya flung open the casement and threw scorn at the direful rabble.

‘You! You down there! Hear me! for I am Vampiryirya, Acting Queen of the Damned!’

Some heads twisted up to look (many of them, regrettably, fell off in the process). ‘I abjure you by all the powers of the dark, by the waters of sorrow and mystery, by the awful ecstasy of the Great Memnoch…’

The pounding showed no signs of abating: it seemed, in fact to be increasing in volume. The mob was growing with every minute, and the great door was starting to yield, inch by inch, as the pressure of the gruesome army increased.

‘I’m not sure you have their full attention, Ma’am,’ said Tench. ‘I wonder if they quite understand the meaning of “abjure”?’

‘Abjure? Well it means… you know, it means…’ She tossed her raven hair. ‘Oh sod it.’ She turned back to the casement where the grunts and howls of the horde below drifted up.

‘Look you lot. Just bugger off! OK?’

The mob gazed stupidly up at her.

‘Uuuurgh.’

‘Go on now. Shoo!’

‘Urgh.’

‘That’s it. For I am Vampiryirya, Ac…’

The mob stirred, seethed, grumbled. Then they turned and started to lurch away, leaving bits of themselves behind as they went.

‘Tench.’

‘Ma’am?’

‘Go down and clear up would you?’

‘Ma’am.’

‘Dirty little oiks. Oh, and Tench?’

‘Ma’am?’

‘Don’t get any of it on your shoes. Hmmm?’

‘Ma’am.’

‘For I, Vampiryirya, have only just had my carpets shampooed.’

‘As you say Ma’am.’

21
Aug
10

Vampiryirya, Acting Queen of the Damned. Chapter 2.

‘I, Vampiryirya, have come to collect my dry cleaning.’

‘Okie dokie then. Have you got your ticket poppet?’

‘Ticket? I have no ticket! I, Vampiryirya…’

‘No problem, I’ll just have a look on the computer. When did you bring it in?’

‘It was when the moon was at its apogee, when the owls filled the darkling vault of the sky, when the…’

‘Was it within the last fourteen days? Cos if it was longer than that it’ll have gone off the system. If it’s not collected within fourteen days it’ll have been put in the back.’

‘It was a day of tempest, a day of torment, a day of ecstasy…’

‘What, when we had that really heavy rain? That was, hold on, last time it really pissed down was Monday before last, I remember because I was booking my holiday on my lunch hour and all my brochures got soaked.’

‘Monday? All days are days of sorrow. For I am Vamp…’

‘So that’d be the 8th then. I’ll have a look for you. Could I just have that name again?’

‘My name is Va…’

‘Hold on, I have a Ms. V. Ampiryirya.’

‘Ms?’ She laughed scorn at the assistant, swirling her raven tresses, thick as blood, black as night. ‘Do you not see the bloodstone on my finger? I am the bride of darkness, the bethrothed of pain…’

‘Oh sorry, he must have taken it down wrong. So it says here it was three tartan wool skirts, and a floral duvet cover, yeah?’

‘You would mock me!’ Vampiryirya flashed her eyes, those pools of molten pitch, like the tarns at the gates of hell, like the pits of endless night that await the souls of those begotten in  damnation’s fire. ‘Tartan! Floral! I, Vampiryirya…’

‘Was that not it?’

‘My gowns are of midnight’s hue, my cloaks like the moonlit backs of ravens!’

‘Right. See, it would be so much easier if you’d kept your ticket. Cos what it says here is tartan skirts, three, and floral duvet cover, one. I can’t see any raven’s hue or, what was the other thing you said?’

‘Midnight! When the souls of the lost dance, when the antic musicke of longing creeps upon the tarry waters of the…’

‘Yup. No, sorry but it just isn’t in the system. You sure it wasn’t the tartan…?’

‘Be silent! Your chatter is distasteful to me!’ She turned, and addressed the queue that was building up behind her. ‘I am not mocked! Be warned! Cower before me! For I, Vampiryirya, will return!’

The girl behind the counter smiled and nodded.

‘With your ticket, yeah?’

05
Aug
10

Pigeon Talk -Tragic Incompatibility

>I was just thinking, if Saul Kripke is right about the fallacy of descriptivism, where does that leave Wittgenstein’s arguments about private language? And Tarski’s truth predicates look a bit shaky too. Don’t you think?

>I tell you what I was thinking.

>Oh here we go, let me guess.

>Yeah I thought we could, you know, get some twigs and that.

>Twigs. Uhuh.

>I thought we could make a, kind of a thing. Out of twigs

>What you going on about? What kind of thing?

>I seen these other pigeons making one. Next tree along, you know him with the funny neck and that stupid-looking one? They got some twigs, next thing you know there’s these little baby pigeons all over the gaff. That’s what happened to them next tree along anyway.

>Yeah, and what’s that got to do with truth predicates exactly?

>Little baby pigeons. I seen ‘em.

>Mate, I hate to be the one to tell you, but that isn’t really how you get little baby pigeons.

>Twigs.

>Will you pack it in about twigs? All bleeding day, twigs twigs twigs. What’s wrong with crapping on cars and doing the funny walk and debating post-war European linguistic philosophy? Not good enough for you all of a sudden? Not since them next tree down made some unspecified object out of bleeding twigs.

>Twigs! Little baby pigeons!

>Gordon Bennett. Look, just thinking aloud really, but about this mating-for-life thing…

Next week, Pigeon Talk is about the Gabriel Josipovici controversy. Are Julian Barnes, Salman Rushdie, Ian McEwan and Martin Amis really “limited, arrogant and self-satisfied”? And how does this debate impact on the pigeon community?

19
Jul
10

Whitehawk gift shop

T-shirt. s/m/l/xl. 100% cotton.

rubik’s cube. hours of fun!

christmas ornament. pack of 5.

mosaic tiles. indoor and outdoor use.

surplice. suitable for ecclesiastical use. mixed fibres.

puma. not suitable for children under 5.

jcb midi excavator.

space station. colours may vary.

13
Jul
10

Angry author: ‘I’m ready to sue.’

'Stunning new look.’

Controversial novelist Simon Nolan (Whitehawk) says he is ‘ready to take action’ over a publicity picture.

‘I’m quite angry about it,’ he said in a recent interview. When asked if he was ready to take action, he refused to rule it out. ‘I’m not ruling it out,’ he said. The picture will be used in a high profile media campaign to promote the novel, which is published on July 14. Industry insiders say the launch will go ahead, despite the furore over the picture.

Stephen Foy, from Outtasight Promotions, the agency who commissioned the portrait, said:

‘We stand by this picture, which we think is a strong and distinctive image. We wanted to give Nolan a stunning new look, redefine him, re-niche him for a whole new generation of consumers, and we think we’ve done exactly that. We’re very proud of the picture.’

Amita Mukerjee, socialite and publisher, was too drunk to comment, though she did issue the following statement:

‘I’m too drunk to comment.’

Associated Press.

05
Jul
10

Want to win an iPad?

What is - iPad?

What is  –  iPad?

iPad is a revolutionary new device that allows you to:

•look at pictures

•watch films

•read books

•go on the internet.

(NB: None of these activities has been possible before.)

How to Win:

1. Find a competition that offers an iPad as a prize.

2. Enter the competition. (This is a crucially important step. You increase your chances of winning an iPad by as much as 38% by actually entering a competition.)

3. Win the competition.

It’s that easy!

Next week, how to win a Lear Jet!

26
Jun
10

New novel slammed by nurses

‘A wasted opportunity.’

Whitehawk,  a controversial new novel by Simon Nolan, has been roundly condemned by nurses. In a recent review, Nursing Times (with Midwifery Today) had this to say;

‘The novel has nothing to recommend it to the modern nursing professional. There is nothing substantial here on any aspect of nursing (or midwifery) whatsoever. The reader will turn the pages in vain for material pertinent to the theory and practice of nursing (or midwifery). A wasted opportunity.’

Amita Mukerjee, publisher, said: ‘We have no statement to make at this point. We will be looking into these comments, which we find disappointing coming from such an august journal.’

Reuters.

17
Jun
10

Smoking ‘cool’, say scientists.

After years in which smoking has been labelled ’pathetic’, ‘bad for you’ and even ‘addictive’, scientists at The University of New South Wales have made the surprising discovery that that it is, in fact, ‘cool’. The shock findings, published in Nature later this month, have been warmly welcomed by the smoking community.

It’s cool.

‘We’ve suffered for years from this “uncool” thing,’ said Ida Maraschino, joint chair of TAB, a smokers’ co-operative and drop-in centre in Bournemouth. ‘These findings just confirm what our members have been saying consistently over the last decade or so: we just couldn’t get the evidence to back it up. Now these new findings are out there, we hope that some of those entrenched negative  attitudes will start to turn around.’

Researchers are now also investigating claims that smoking is ‘big’ and ‘clever’.

‘There’s so much we still don’t know,’ said Project Leader Todd Hunger. ‘These are exciting times for smokers.’

14
May
10

Cave painting? It’s just a fad.

The world through a 3D lens, or maybe two.

So I finally got round to seeing a film in 3D, Clash of the Titans. I saw it on a Thursday afternoon, and the auditorium was packed with possibly as many as 5 people. Nothing wrong with the film, but the 3D ads were far more entertaining, in particular an ad featuring a tennis ball that appeared miraculously hanging in the air, just out of reach. It’s not at all clear to me what 3D is adding to the experience of watching a film, except that you have to have peculiar glasses on that make you look like a late-era Roy Orbison and you are constantly distracting yourself from the action to make mental notes about how the 3D is distracting you from the action.

But then I alway was a late adopter. I found it agonising to throw away my Betamax video, and resisted CD’s for so long that I pretty much went straight from cassette to MP3. I can never see what’s wrong with what we’ve got. Cassette had so many advantages over CD, not the least of which was the lovely rich, compressed,  bassy analogue sound and the sheer rattly plasticky pleasure of the things. Betamax, as has been extensively and very boringly established, was in every way superior to VHS (…drones on about obsolete formats for three and a half hours…)  I only started internetting about 5 years ago: I just couldn’t see the point of it. It’ll never catch on, I would comment sagely. It’s just a fad. I am currently holding out against digital telly, and no doubt by the time I am finally forced to relent there will be something else. But I like what I’ve got, I think, in a plaintive little voice. If I had my way we would still all be living in caves and throwing rocks at each other to communicate. Direct, easy to understand, cheap. Win-win, I’d say.

But they’re going to turn the analogue signal off. They keep going on about it: it’s like some sinister curse. ‘Everything you know and value is about to be swept away,’ they say. ‘Rejoice!’

I saw some pictures of gaslight being used for the first time in domestic houses, early in the 19th Century: everyone looked like they’d just been caught out doing something that would previously have gone unremarked in the warm, flickery glow of candles. The new lights cast ugly shadows over everything and no one looked quite at ease anymore.

You know where you are with a cave and a rock. Mind you, I’m against this new fad for cave painting. It’ll never catch on, trust me. I mean, what’s wrong with the walls as they are?




Click image to read first chapter FREE

Sheep

James and Adèle, with their eight year old Sam, move to Wales for the winter, to do up a dilapidated farmhouse, Ty-Gwyneth. They are still reeling from the death by drowning of their daughter, Ruthie: the time in Wales should be a chance for them to recover, regroup, come together as a family.

But James starts to dig up some rather curious bones, Sam has a screaming fit in which he seems to be speaking to a previous occupant of the house, and Adèle's paintings become odd, disturbing, wrong.
A sheep is found, mutilated. Another. Sheep are found lying on the rocks below the cliff, torn open. The destruction of the beasts has begun...

'The best debut novel I have read since The Wasp Factory. Wonderful original writing glittering with savage imagery, the pages breathe the tough, dark texture of a real world, of real inescapable fears, blurring the boundaries between nightmare and reality...' Peter James

About the Author

I am a novelist living and working in Brighton, UK, in a haunted palace by the sea. I write horror/psychological thrillers as Simon Maginn: Sheep (filmed as The Dark), Virgins and Martyrs, A Sickness of the Soul, Methods of Confinement, Rattus (novella).

By night, I become Simon Nolan, who writes raucous urban comedies: As Good as it Gets, The Vending Machine of Justice, Whitehawk. I play the piano incessantly, and paint in an uncontrolled and, frankly, disgusting way.
‘Nolan is brilliant’ Time Out

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